[‘I am here, and I am not here’]
This keynote performance uses the theatre play Mi Amigo Giovanni to explore themes of love, friendship, loss, death, and queer communities through the relationship between two characters, Elliot and Giovanni. The story engages with the concepts of ‘continuing bonds with the deceased’ (Klass, Silverman, and Nickman, 1996), ‘vibrant death’ (Lykke, 2022), and ‘choreography as a method of inquiry’ (Carter, 2020) to suggest that death does not mean the end of a relationship as the characters continue relating to each other beyond time and physical existence, and that death impacts the bereaved person in a way that grief needs to be processed through the body.
[‘Will you ever let me go?’]
While Giovanni lived in a precarious world that saw his death due to stigma, lack of community support, structural inequalities, health challenges, and medical negligence…
[‘On our watch we let him die’]
…the play engages also with the celebration of gay love, friendship, and life; the formation of queer communities; and the power of hope through artistic expression. We invite the audience to explore our understanding of what it means when someone dies while they still live in and through the bodies of a community who loves them.
[‘I never met him, but I’ll never forget him’]
Through this piece, the performers expand common understandings of death by embracing a multifaceted understanding of time, combining linear and atemporal perspectives, physical and digital facets, and psychological and embodied perspectives to explore the complexities of grief, remembrance, and the enduring nature of friendship. Mi amigo Giovanni presents the paradox of a life that is memorialised in an ephemeral yet perduring way, and the presence of the dead manifesting themselves through the bodies of the living. With the grieving body as the focus of this project, the choreographic elements of this performance offer a fresh and innovative approach to qualitative inquiry and bereavement support, providing a means of communication, expression, and healing.
[‘I dreamed I was getting married!’].
Speaker Biography
Edgar Rodríguez-Dorans (he/they) is interested in the study of LGBTQIA+ lives, identities, sexualities, and the use of performing arts in research. He is a counsellor working from an integrative approach whose work has centred on people living with chronic conditions. Edgar is a Lecturer in Counselling, Psychotherapy, and Applied Social Science, a Volunteer Counsellor at Arkordia – a Scottish Charity offering low-cost psychotherapy, art therapy, and counselling services to those on low incomes – and a playwright and theatre director interested in exploring how real-life experience is transformed by and represented through theatre and performance.
Speaker Biography
Arkadium Teatro y Danza is a community theatre group founded in Mexico City in 1999. The group brings together individuals who share a passion for theatre and dance. Throughout its 25-year existence, Arkadium has created a community that transcends limitations of age, identity, ethnicity, language, social class, and geography. [‘This writing is ongoing, as is our friendship that keeps on giving.’]